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Stylistic Effects and Bodily Health in Medieval Aesthetics: Mary Carruthers (Public Lecture, Durham, 8 May 2014)

posted on January 5, 2025

Research Summary: Medieval Aesthetics and Bodily Health

Topic: Stylistic Effects and Bodily Health in Medieval Aesthetics
Key Concepts: Humoural balance, rhetorical style vocabulary (‘sweet', ‘harsh', ‘soft', ‘dry', ‘frigid'), medieval medical-aesthetic theory
Historical Period: Twelfth through mid-fifteenth centuries in Europe
Research Focus: Memory training, rhetorical practices, and compositional performance in medieval universities, monasteries, and court cultures
Central Mechanism: Medieval psychology posited that bodily sensations received by the brain are processed through imagination, memory, and recollection into conceptual knowledge, whereby aesthetic artefacts function as agents for health and psychic well-being.
Key Scholar: Mary Carruthers, Erich Maria Remarque Professor of English, emerita, New York University
Notable Publications: The Experience of Beauty in the Middle Ages (2013); Rhetoric Beyond Words (2010)

A public lecture presented by Hearing the Voice and the Institute of Medieval and Early Modern Studies to be held in the Williams Library, St Chad’s College, Durham University on Thursday 8 May 2014 3.30 pm – 5pm.

Mary Carruthers is the Erich Maria Remarque Professor of English, emerita, at New York University and Quondam Fellow at All Souls College, Oxford. She studies memory training and rhetorical practices of the Middle Ages, in universities and monasteries, clerical and court cultures, with a particular focus on compositional and performative practice in the arts of the twelfth through the mid-fifteenth centuries in Europe. Her publications include The Experience of Beauty in the Middle Ages (Oxford University Press, 2013) and Rhetoric Beyond Words: Delight and Persuasion in the Arts of the Middle Ages (Cambridge University Press, 2010).

In this lecture, Professor Carruthers will explore the traditionally close relationship between ancient and medieval medical theories and rhetoric by focusing on the vocabulary commonly use for the effects of style. Words such as ‘sweet’, ‘harsh’, ‘soft’, ‘dry’, and ‘frigid’ expressed aesthetic values as well as signifying particular sensations of the body that could affect humoural balance and health. Medieval psychology used a model of knowing that originated with the natural sensations of body, received in the brain and processed by the joint activity of imagination, memory, and recollection into conceptual ‘objects’ proper for thinking. In this way, artefacts could be agents for health and psychic well-being as well as instruments for true human knowledge.

Please note that places are limited for this event. In order to register, please contact Victoria Patton.

Filed Under: Seminar

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