CFP – Thinking Feeling: Critical Theory, Culture, Feeling

Conference Call for Papers: Thinking Feeling

Event Type: Academic Conference

Dates & Location: 18-19 May 2012, University of Sussex

Primary Focus: Critical examination of feeling, emotion, and affect through cultural theory, literary studies, and Marxist traditions

Theoretical Foundations: Hegel, Marx, Freud, Bataille, Williams, Sedgwick; critical theory intersected with contemporary affect theory

Disciplinary Scope: Philosophy, literary studies, visual culture, music theory, art history, sociology, political economy, psychology

Key Topics: Emotion-economics intersection, genealogy of feeling, revolutionary potential of affect, commodification of emotion, political economy and rhetoric of feeling, modern moods (melancholia, anxiety, cynicism, joy)

Submission Requirements: 200-250 word abstracts to Dr Doug Haynes, University of Sussex by 31 December 2011

Central Question: What is at stake politically, aesthetically, and experientially in the contemporary turn toward discourse of feeling, particularly under neoliberal capital?

Thinking Feeling: Critical Theory, Culture, Feeling
18-19 May 2012, University of Sussex

‘Happiness is obsolete: uneconomic’ (Theodor Adorno, Minima Moralia)

As the recent UK riots indicate, there is no escaping the fact that economics provokes, amongst other things, strong feelings. Whether we like it or not, a neoliberal language of economics now pervades and colours our inner ‘private’ emotional lives; the government’s emerging plans to compile a ‘happiness index’ is a clear example of how a rhetoric of ‘feeling’ can be co-opted by capital. More than ever, then, it is important we do not simply accept ‘feeling’ as a spontaneous or natural phenomenon, but instead subject it to genuinely critical scrutiny. Are some feelings static, essential and ahistorical, or can we trace their genealogies? Are feelings entirely subjective and individual, or are they actually objective and social? If they are social, whose feelings are they?

By placing contemporary cultural and literary theory (especially as it deals with ‘affect’) alongside the tradition of Critical Theory, this conference asks what might be at stake politically, aesthetically and even experientially in the recent turn towards a discourse of feeling. With its roots in Hegel, Marx and Freud, Critical Theory has always been concerned with the role of feeling, in all its senses. Meanwhile, literary theorists and practitioners as diverse as Georges Bataille, Raymond Williams and Eve Sedgwick have also focused on relations between culture, society and felt experience.

The conference will therefore set out to utilise these approaches for a critique of modern and contemporary culture. Contributors are encouraged to engage notions of feeling as they relate to particular cultural practices, objects or texts, and are also invited to use recent work on the emotions to rethink aspects of the Marxist theoretical tradition. We welcome proposals from all relevant fields, including philosophy, literary studies, visual culture, music theory, art history, sociology, political economy, psychology, etc.

Possible topics may include but are not limited to the following:

The intersection of emotion and economics in contemporary life, literature, film or art
The genealogy of feeling
Feeling and revolutionary potential
The political economy of feeling
Rhetoric and feeling
The commodification of emotion
Culture and ‘modern’ moods (guilt, cynicism, ecstasy, indifference, anxiety, melancholia, depression, shame, boredom, paranoia, rage, paralysis, joy, (un)happiness, etc.)

Abstracts of 200-250 words should be sent to Dr Doug Haynes University of Sussex by 31 December 2011.